The Blonds: Meet Duo Behind Performance Wear Masterpieces

When Beyoncé stepped on stage in a bodysuit back in 2014, her whole was encrusted in jewels, full with 3D nipples. Here, earlier than tens of hundreds of followers and web of onlookers was an artist who had by no means been so daring as to reveal her body in such a approach. “Everybody just flipped out because it looked too real,” recounts designer David Blond, each star-struck and bewildered on the momentous public response to his work. “They literally thought she was out there buck naked.” But David and his partner, Phillipe Blond, who’ve studded and beaded their option to the inside circles of music royalty, are used to such provocative attire.

It was 2000 when the duo met, discovering solace of their shared love for music, trend, and nightlife. David, who had constructed his career in visible merchandising, was prepared for a shift, and there earlier than him was Phillipe, a younger man hungry to build a trend empire. Success was fast for the younger designers, finally touchdown retail space for his or her work in Hotel Venus back in 2006, owned by renowned Sex and the City stylist Patricia Fields. 

But it wasn’t till later that year, when Beyoncé’s staff knocked on their door for the primary time, that The Blonds knew they have been on to one thing. “Beyoncé wearing the first corset that we ever made in her ‘Upgrade U’ video, that really is what set it off, for sure,” David says, reminiscing on the chance. Dripping in gold, metallic material and outsized diamonds, it’s the primary full look you see within the video, setting an opulent tone.

Now, as The Blonds proceed their legacy of customized efficiency put on, documented of their upcoming book, The Blonds: Glamour, Fashion, Fantasy, and set to publish in September, we meet up with David, reflecting on the duo’s work with artists like Nicki Minaj, Lady Gaga, and Madonna, and project the way forward for efficiency fashion.

What was the method like if you and Phillipe first met and also you determined to build this model collectively?

Well, it’s attention-grabbing as a result of I had already developed a career in visible merchandising and inside design within the retail space. And then after I met Phillipe in 2000, it was one thing that he was already doing and it’s one thing I’d all the time had within the back of my thoughts. I took a year off to help him along with his personal line; Philippe was nonetheless interning and making stuff for himself and his buddies. And then as soon as we obtained collectively, we have been going out and doing the identical factor.

We have been bleaching our hair blonde and we had this entire idea of, ‘Why can’t anybody be Marilyn? Why can’t anybody be Marlene Dietrich?’ These goddesses within the previous Hollywood motion pictures that we love a lot. We simply wished to offer a contact of glamor to anyone and all people that wished to be concerned in it and that’s form of what the premise [of the brand] was from the start.

Lots of your work has been predominantly with musicians. Do you’ve a selected draw to working with them, or that’s the place you discover probably the most creativity occurring with regards to your shoppers?

It’s all these things. I really feel like music is the bottom from which we draw our inspiration. And then every thing else is kind of… I don’t need to say sidebar, however there are different elements to the DNA of the model: previous Hollywood, artwork, animation. But music is on the heart of it.       

I believe that was the realm the place we have been most capable of specific ourselves at the moment. No one was doing what we have been doing, and the one people that will put on that kind of factor have been musicians. Now it’s kind of developed into this factor the place I’ve shoppers that can name and wish one thing stage-worthy for a luncheon that’s themed. It’s attention-grabbing to me to see how that is merged with the on a regular basis. This is one thing that, which was surprisingly our aim to start with, was to deliver this concept of the high-level glamor and costume to the on a regular basis particular person.

What is the distinction between designing one thing for the runway versus if you’re working with an artist and so they should carry out in it? 

Well, there are two fully other ways to method it. If it’s one thing that’s extra wearable or costume for the day, let’s say, then we wouldn’t should put in any of the powerful building. It might be much more delicate when it comes to embroideries and elaborations. And if we have been translating one thing from the stage to one thing that will be extra wearable for a consumer, let’s say some kind of special day whether or not it’s promenade or marriage ceremony, Bar Mitzva, we’ve run the gamut when it comes to the special day dressing for numerous civilian shoppers. That’s what I name them.

But for efficiency, there’s a giant dialog that occurs round every particular person performer’s desires wants and preferences when it comes to how they need to look. And it’s often very detailed and one thing that finally ends up being fleshed out throughout a number of fittings. Then the timeframe, once more it simply relies on how difficult the items are.

When we first began out, we prided ourselves on how rapidly we might flip things round and that was kind of why people began coming to us regularly. Because things pop up and so they want one thing wonderful and we might drive ourselves loopy. Now we don’t have that luxurious anymore so we want a little bit bit extra time, usually 4 to 6 weeks on common.

If it’s one thing that’s meant to final all through a tour or if there are duplicates or if we now have to remodel it, and if there’s a posh embroidery or beading concerned, then that may take as much as 12 weeks. Even six months in some circumstances.

Do you continue to have artists that can ask for things like, “Hey, we need this in a 24 hour turnaround?”

Yes, it occurred at present. They nonetheless come. One stylist at present, I obtained 12 textual content messages, like, “Babe, I need this now, I need it.” And I’m identical to, “I hate to say it…” And I by no means like to show something down however generally that’s what it’s important to do. 

Has a musician ever approached you that you simply simply couldn’t flip down, regardless that you may need been considering, “I don’t have the time for this. What the hell are we going to do?”

Well, that will be Madonna.


Yeah. I believe we’ve gone by way of a couple of of these together with her as a result of she is a perfectionist and we kind of are the identical approach. But yeah, we’ve gotten a couple of last-minute calls that once more, is one thing we couldn’t flip down. She’s in all probability the one particular person, her and I’d say, Beyoncé or Jennifer Lopez. You know what I imply? Those are the shoppers that we might not have the ability to say no to, clearly.

Madonna (“Living for Love” Music Video)

Director: J.A.C.Ok (Julien Choquart and Camille Hirigoyen)

Going by way of a couple of seems to be, beginning with Lady Gaga within the “Paparazzi” music video, which was large for her as an artist. It form of put her on a bigger map exterior of her authentic viewers. Of course, your designs are in that. What was that like?

It’s attention-grabbing as a result of she got here up in New York and it’s been great to look at her career blossom and explode because it has. Because we had lots of buddies in common and that’s how that relationship kind of began. Then, to be part of when she determined to shift extra into this high-octane, costume-driven, fashion-oriented world, was nice to be part of that.

And I really feel like she is among the greatest people when it comes to bringing about all this transformation in trend, she’s positively had her personal hand in it. And I believe she made different artists actually up their costume sport as effectively. So we positively benefited from that.

What are these discussions like now versus then? Because such as you stated, she has upped the costume sport tremendously.

I believe with any artist, what we begin with is any form of temper board. They can provide us a variety of descriptors, coloration, {hardware}, something and every thing that we are able to get. The music. Whatever it’s that they can provide us to get inspiration from. We’ll take that into consideration and attempt to add all of that in there and weave it into the piece in a technique or one other, whether or not it’s delicate or whether or not it’s literal. For instance, Gaga’s second in Paparazzi, she was in chains as a result of she was getting locked up. 

Did you get lots of buzz after that? This was additionally, I imagine, a year after you had formally established your model, possibly two years after the Beyoncé ‘Upgrade U’ music video the place you had your debut.

It’s arduous to say as a result of I don’t ever actually really feel such as you’re established on this trade. Going into this, you all the time have to grasp that it’s a curler coaster and you’ve got excessive factors and also you’re going to have low factors. And that’s what I attempt to inform people: there actually is rarely safety if you’re working in a area like this, the place there’s intense competitors. As of late, bigger manufacturers at the moment are getting back into this as effectively. So once they do it, it’s a special story as a result of usually they only do every thing for the artist and there’s a trade-off there, versus being a paid gig. 

The subsequent artist I’d such as you to speak about is Nicki Minaj, particularly her “Moment 4 Life” music video. Nicki went from being this predominantly actually arduous, powerful girl to exhibiting a bit extra softness, as represented by this flowing teal robe, which you designed. What was creating that piece like, and what was it like working together with her, particularly throughout this shift in her music?

What was lovely about that second was the music itself, what it was about, how she was softening things. She actually simply wished to appear to be a princess and really feel like Cinderella for the video. But then put her spin on it, her because the Fairy Godmother, which was hilarious. She’s obtained an incredible humorousness. That all got here collectively actually fabulously on the finish.

Circling back to Beyoncé, what was your response after getting that decision saying, “Beyoncé is interested in doing something with you.” How does that collaboration work with somebody at that degree? Because this was additionally your first piece for a giant artist.

Well, it really works many alternative methods with totally different artists. In this occasion, her stylist got here to a showroom that we have been in and noticed one of many items we had carried out after which relayed to them what the inventive was for the video. Obviously, once we heard about it, we have been ecstatic. Once we obtained to see it, we have been crying, however it was fairly main and actually an incredible experience. We labored with Ty Hunter, who was her stylist on the time and have labored with him for a lot of, a few years.

Now for The Carter World Tour, she’s carrying this bodysuit that’s all rhinestone. What led you to that concept, and the way do you persuade an artist who has robust possession over their model, to get them into one thing like that?

This specific second occurred after a for much longer dialogue as a result of we began off with this idea: we have been making an attempt to make her into this actually elevated, elegant vibe the place she was simply barely coated, after which give the phantasm that she was bare beneath the feathers. So we did one thing that was very smooth with lots of pinks and simply shading. It was all nudes and feathers, after which all of the feather dancers did their quantity round her.

But that was, I suppose, too delicate. She wished to go for a a lot bigger impression. She wished to offer the phantasm that she was fully nude however didn’t precisely know easy methods to execute it. So we got here back with this concept of getting the dancers be kind of peek-a-boo, having them be half nude after which her being nearly absolutely nude, in a approach. But once more, fully coated from the neck to the wrist.

And then because the dialog went on, it was determined that we have been going to make this super-realistic, however how will we try this in an clever approach? So we began taking a look at [the work of painter] Tamara de Lempicka. We kind of took that then mocked that up in a sketch. We did an preliminary becoming for the bottom go well with and Phillipe really painted on her body whereas she was carrying it to verify every thing was completely in place.

He painted your entire go well with whereas it was on her so we might have a information once we have been doing the beading and embroidery. Then she had her first second when she wore it and it shocked audiences to the purpose that everyone simply flipped out as a result of it appeared too actual, I suppose.

They actually thought she was on the market buck bare, so it was loopy. Then we did the duplicates after that, we toned down the shades fairly a bit. It nonetheless had the nipple element. It nonetheless had all of the shading and every thing, and I believe the sleeves ended up getting hacked off at one level, after which a keyhole went in. It went by way of some craziness however they nonetheless have these items within the archive.

You and Phillipe have formed the visible legacy of trend for the final decade and a half. What is the way forward for your work and the way forward for musician’s fashion appear to be for you?

I’m actually glad and impressed desirous about the long run as a result of I really feel like there are such a lot of people on the market and so many artists in so many markets. It’s one factor that people all the time neglect as a result of predominantly they take note of two U.S. artists once we work with artists everywhere in the world.

And I believe it’s wonderful that everybody has somebody that they will look as much as right now. I’m glad to see that we’ve gotten to a degree the place any youngster can lookup and have a task mannequin, can have that very same factor that I had after I was a child in entrance of the tv watching Wonder Woman.

It’s attention-grabbing, lots of people don’t know that Linda Carter’s Mexican, so she’s a Latina. Those varieties of things to me, resonate and I really feel prefer it’s wonderful to lastly see that coming to fruition and occurring.

And once more, I believe there are artists that aren’t going to need to put on our stuff. But there’s a multitude of artists, particularly males now. I believe that’s tremendous thrilling, that the blokes are getting in on it. We initially labored with Adam Lambert lots as a result of he’s Glam-bert.

He’s an excellent instance of male efficiency put on. Do you’ve artists that you simply’re excited to work with sooner or later?

Yeah. We love what Lil Nas X is doing. We’re at present engaged on a project with Janet Jackson, who’s been somebody we’ve idolized eternally. And once more, is somebody we wished to work with from the start.

It’s attention-grabbing to see males dip their toes into extra of that world of being excessive. What about others? Are there different males that you’re considering “We’re going to get them and it’s going to be major?” 

I really feel like Harry Styles is attending to that time. As you talked about earlier than, I believe he’s actually nice along with his experimentation, and the best way that he’s growing as an artist, I believe is admittedly wonderful. So I really feel like our paths will meet in the future.

This interview has been edited for size and readability. 

Back to top button